I went to see Michael Haneke’s film "The White Ribbon" last night.
The film paints a bleak and brutal portrait of an early 20th century German village and asks us to consider a number of savage acts and to speculate on the motives and identity of the perpetrator/s. At the end of the film we are presented with the shocking but compelling suggestion that the village's children are in fact responsible - as a direct consequence of their parents widely abusive and irresponsible treatment, which we have variously witnessed throughout the film.
Michael Haneke has been quoted as saying:
"Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more questions at the end, then surely it is a richer experience."
I certainly came away from seeing The White Ribbon asking myself one overriding question: whodunit? - and the more I thought about this, the more convinced I became that it was indeed the children. However, I think Haneke has missed a subtle point here, because there's a significant difference between questions which simply require a solution (and the more Occam's razor-like the answer, the more resolved - and therefore put to rest - the initial question) and questions which lead to considerations of complex and challenging issues eg: the corruption of innocence which is such a profound and haunting underlying theme of this excellent film.
Seen this film 2 times now and I'm still impressed. First time at a film festival on a big screen in Poland. I liked it very much.
ReplyDeleteI was actually so eager to see what happens to the village when the war starts but sadly it ended before that.